Cory & Anna: Engaged

October 23, 2012

Someday, I’ll actually visit the Duquesne Incline for reasons other than photos. Someday. Since Cory and Anna got engaged here, we thought it’d be a good start for their photos. We were hoping to catch some great sunrise action, but ended up with a pretty cloudy morning.

But the shoes totally made up for it. Love those shoes.

After that, we did some exploring around Schenley Park. For maximum Pittsburghness, they broke out the Steelers jerseys.

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Bastard Bearded Irishmen

October 17, 2012

A few weeks back, I got a call from City Paper about getting some photos of these guys for their “Best of Pittsburgh” issue. Their art director told me to “have fun with it,” so this is what we came up with.

Justun Palencsar (from In the Blood Tattoo on East Carson) was nice enough to keep his shop open late, make up a stencil, and stand in as our tattoo artist. Despite Jimmy’s panicked face, no Bastards were harmed in the production of this photo.

We also did a more typical band shot, lined up in front of a flag Justun had hanging in his workspace.

 

 

You can read more about them here, see the Bastard Bearded Irishmen site, or check out the rest of the Best of Pittsburgh issue.

 

Does your band need awesome promos? Get in touch at info@mooreclick.com.

Back in August, I got to shoot at Mr. Small’s for the first time. The lighting was pretty rough, for photos anyway, but the show was great. Luther, The Menzingers, and Bouncing Souls:

Want sweet photos of your band? Get in touch at info@mooreclick.com.

Jesse: Promos

September 17, 2012

I know this dude, and he’s funny. Lately, he’s decided to be funny on stage, and he asked me to shoot some portraits for him. There’s a website coming, but for now, you can keep up with him on the twitter.

When people ask me to do portraits for them, they don’t always have an exact idea of how they want them to look (so no, it’s not just you). I told Jesse that when I’d done a shoot with a Judo instructor before, I just made sure he looked like he could kick your ass (because he totally can). He said that’d work. So we roamed around the Southside, got honked at, and took some pictures.

I’m not sure what’s going on in the background, with the cops, and those folks frantically digging around in their trunk. I’m sure it’s fine.

 

Want portraits for your project/business/jam band? Get in touch at info@mooreclick.com

Music Monday: Warped Tour

September 3, 2012

Hey look, guys, it’s that thing I shot in July! I’ve had edits from Warped up on the Flickr site for a while now, but finally got around to picking a few favorites to blog. I spent a lot of years at Warped, but this is the first time I’ve ever shot it, and it’s an adventure. I read a ton of advice from other photographers on covering all day, multi-stage festivals, and if you find yourself on an assignment like this, you should too. Running from stage to stage all day, fielding interview and photo requests from publicists, trying not to die of heatstroke, it’s all sort of a zoo. That said, I’d love to do it all again next year.

Yes, getting to watch Antiflag from the side of the stage made 14-year-old-me squeal a little. But backstage isn’t as glamorous as most people think.

There’s not much in the way of a barrier at these shows, except on the main stage. Got to see a lot of interaction with the crowd, which always makes for great photos.

We only got 2 songs for Antiflag. No matter what they tell you, shoot like you might get thrown out any minute.

Mohawk photos, as required by Warped Tour law.

I like to get shots of the crowd as much as the musicians, the atmosphere’s always interesting.

Yes, it’s Billie Joe Armstrong’s kid. Yes, he’s a better drummer than his dad. No, they don’t sound like Green Day.

In case you did Google your way over here looking for tips on shooting, here’s a few.

Sunscreen/Water. This is not advice that you should have to give to adults, but the med tent is just FULL of people suffering from dehydration or heatstroke. See also, eat something.

Get there early. When I showed up, no one had any idea where I was supposed to check in. I asked a total of 9 security guards, hiked the length of whatever they’re calling Starlake Ampitheater these days twice, and wasted an hour. Thankfully, I had time for all of these shenanigans, because I got there early.

Get a map. They have an app for the tour now, which is pretty great. But I’m a dinosaur, and I like my paper and pen. Either way, get a map of the layout, get a schedule, and plan your day. Figure out who you’ve absolutely got to hit, who you’d like to hit, and fill in where needed. I rarely got to hang around and watch a band’s entire set, so I set an alarm on my phone for whenever I had to leave to move on to the next thing. You will almost definitely not get to shoot, or see, every set that you want to.

Have a plan. I shoot almost entirely prime lenses, which I don’t really recommend for this. It’s difficult, it results in a lot of lens switching, and you’re just asking for mounds of sensor dust. But sometimes you shoot with what you have. In my case, I picked three lenses – a 35mm, and 85mm, and an 18mm – and used one per song. As I mentioned earlier, though, you don’t always get three songs. So whatever your most versatile lens is, shoot that one first.

Wear good shoes. I sat down for maybe 10 minutes the whole day. I have a pair of old checkered Vans that you can pry from my cold dead hands, because I could hike 10 miles in those bad boys if I had to. I probably did.

Ear plugs. I picked up a box of Hearos just for this. I have a lot of people tell me that they never wear ear plugs when they go to concerts, so they can’t imagine needing them to shoot one. I don’t generally wear them when I’m attending concerts either, but I’m not usually standing an inch away from an amp stack either.

The more organized and prepared you can be, the less you’ll be bothered by the things that inevitably go wrong.

You can see more music and event photography at mooreclick.com/editorial.